A new year, new figure drawings! I continued experimenting with oil pastel like I did in November, but I needed some time to get back into it. That’s why most drawings are in the same line as last year.
I feel the most interesting drawings of this session where the ones where I used the strokes of the oil pastel to suggest form. I think I could go much further in layering different colours, but the model is only standing still for five or ten minutes. Maybe I need a model that doesn’t move at all to try that?
As I feel more and more comfortable drawing in graphite, I’m looking for new techniques and materials to use in these figure drawings. I couldn’t find any tips or suggestions online, so I brought a material I hadn’t used in a long time: oil pastels.
At first I used them the same way I use my graphite stick: lightly blocking out the forms and gradually adding lines, forms and details pressing harder to get more contrast. Things got more interesting when I used multiple colours layered over each other, something I’d like to try more next time!
I completely forgot to photograph and post October’s figure drawings, here they are! I tried my hand at charcoal again, a material I have a love-hate relationship with. I love the soft shades you can create with it, but I find it quite difficult to work with.
This is the view I wish I had! I’m only 165 cm so I saw mostly other people’s heads. Still enjoyed it though! My boyfriend took this picture.
I had the pleasure to attend a rock concert again after years! I had given me and my boyfriend tickets to the Red Hot Chilli Peppers last Christmas, and a few weeks back it was finally time. I’m in no way a regular, but when I attend I always immensely enjoy it – live music is really a totally different experience than listening to the same song on record. Though it was kinda short, the end felt a bit rushed and they didn’t play Under The Bridge for some reason, I had an amazing time.
This experience led me to draw the band members and experiment with simplification. I love adding little details, but I feel my work can be stronger by leaving out more and focus on what matters.
I’ve only finished Anthony, because finding the look I wanted proved to be quite the challenge. I changed the pose and shapes countless times, going back even after I started blocking in colour.
When I felt I had the pose figured out, I might have gone astray again by creating more visual noise with detailed shading and tattoos.
I like the result! But I’m afraid I won’t finish the other band members!
A collection of my favorite drawings of this month. You notice I started to experiment with different mediums; I feel like graphite is getting too easy for me!
Is May the month with the most art challenges? I think #mermay has been around the longest, but now there is also #myticmay and #misadventuremay… I’m skipping all of them, as I need to rest a bit from the challenge I undertook during April: Plein Airpril!
As the name suggests, Plein Airpril is all about completing a plein-air painting each day during April. It’s initiated by Warrior Painters and there are prizes to be won for both traditional and digital painters. You don’t have to do all your paintings outside from life (which is the definition of working en plein air), but it is encouraged. I did a mix of both painting from life and from photographs (I shot myself).
I hadn’t planned to join this challenge but when I saw Audra Auclair joining on Instagram (and had read there were prizes involved), I decided I wanted to do this too. I really enjoyed painting studies earlier this year and this could be just the thing I needed to pick that up again.
I hoped I wouldn’t regret this hasty descision; April looked already like it was going to be a busy month. It sure has been a hassle to make time for the paintings from time to time. Luckily I could finish a few in advance so I didn’t have to paint during my vacation in the last week of April. But overall, I’m glad I did it! I tried a lot of new brushes in Procreate, and I think I found a new favorite. I also learned that when painting form life, you don’t have to get the colours exactly right to achieve likeliness, as long as the relationship between them is accurate. Technically speaking: if the values are right and the colour temperature is in the ballpark, you can increase contrast or saturation, it will still look ‘right’.
Stylized blur behind the dandelionsScribbly lines for the texture of wet leavesThis background is too stylized: it looks flat
I experimented with simplifying shapes too, especially in noisy backgrounds. Sometimes it looked nice and stylized, othertimes like the blur from a photograph with a shallow depth of field – and sometimes it didn’t work. But that’s what experimenting is for!
If you want to see all the paintings, go to my Instagram page where they were posted daily in order!
